sundries - #ashtag, celiac, doctor who
- to agree to go check and then never return to the table
- to send a different waiter over to point at it and say it's cheese (I'm Sicilian, fuck you)
- to suggest I try it when I say it's not cheese after I've already informed you I have a severe allergy (excuse me, would you like me to need to be hospitalized)
- to leave it on the bill
- to grudgingly take it off the bill and then say it was just chicken and mushrooms -- if that were true (and I really, REALLY don't think it was) why couldn't we have least gotten that answer at the beginning?
Pretty much every meal we've had here has ranged form good to spectacular and I did not need this shit while stranded here because of a volcano. It was extremely upsetting, and made me doubt the legitimacy of my concern. Because they are the restaurant, they must be right. Who am I to not believe them? But there was NO WAY, that food wasn't potentially dangerous, especially after I was lied to whether it was bread or not. It really shook me.
Amy's Choice "echoes"
For now, on to the thematic echoes for this ep, and the big, glaring one would have to be, "What's the point of you?"
Dear Moffat: If you're not doing this to some purpose, I may have to scream. Loudly. That is all. (Yes, I know he didn't write the ep, but he presumably has something to say about what things are included as part of the shape of the season.)
Once again, I spent much of an ep wondering if I was just seeing things that aren't really there, making something out of nothing, and then here's a direct quote from "End of Days," in a very similar context.
There were some definite resonances to Donna's alternate life in SitL.
The Dream Lord kept reminding me of Bilis Manger. This may be in part because a) I'd caught a spoilery thing on my flist wherein EoD was mentioned and b) I've been rereading The Twilight Streets. Or it may be that something about him flickering about between timelines really did evoke Manger. Even if he did turn out to be a manifestation of the Doctor.
40 minutes before crashing into a sun, albeit a completely impossible one, reminiscent of "42."
Parasitic aliens that keep their hosts alive and healthy - "Reset." Though I suppose that's arguably something any evolutionarily successful parasite would have to do.
There were some things about the village that reminded me visually of "Countrycide," which was topped off by the whole running to hide in the butcher's thing. However, it might just be that the visual stuff has more to do with a common style of rural British architecture that looks very uncommon to my Yankee eyes.
All that said, as much as I enjoyed the ep, I was more than a little aggravated (this may be something of an understatement) that a) Amy was willing to commit suicide, not caring if that was the real world, because she'd lost her man, and b) said man found this romantic/validating/whatever. No, it wasn't the real world, but she explicitly said she didn't know that for sure and didn't care, and that's supposed to be okay.
I'm realizing I didn't add in thoughts about Vampires of Venice. This is largely because I didn't see anywhere near as much of the sort of echoes as have been coming through in other eps, though the encroaching "silence" reminds me both of the planets disappearing at the end of S4 and the "something in the darkness" bit in TWS1.