music and soldiers in Iraq
Feb. 19th, 2005 07:20 pmhttp://www.nytimes.com/2005/02/19/nyregion/19band.html
The flute went to war. So did the oboe, the clarinet, the bass, the French horn, the euphonium and a good number of the saxophones.
The 199th Army Band has had to cut back on its repertory these days. After all, it is not easy playing Sousa when half your woodwinds and a quarter of your brass are in Iraq.
http://www.nytimes.com/2005/02/20/arts/music/20dave.html
If rock 'n' roll, the sounds of Jimi Hendrix, Jefferson Airplane and Creedence Clearwater Revival, was the music of American service members in Vietnam, rap may become the defining pulse for the war in Iraq. It has emerged as a rare realm where soldiers and marines, hardly known for talking about their feelings, are voicing the full range of their emotions and reactions to war. They rap about their resentment of the military hierarchy. But they also rap about their pride, their invincibility, their fallen brothers, their disdain for the enemy and their determination to succeed.
The flute went to war. So did the oboe, the clarinet, the bass, the French horn, the euphonium and a good number of the saxophones.
The 199th Army Band has had to cut back on its repertory these days. After all, it is not easy playing Sousa when half your woodwinds and a quarter of your brass are in Iraq.
http://www.nytimes.com/2005/02/20/arts/music/20dave.html
If rock 'n' roll, the sounds of Jimi Hendrix, Jefferson Airplane and Creedence Clearwater Revival, was the music of American service members in Vietnam, rap may become the defining pulse for the war in Iraq. It has emerged as a rare realm where soldiers and marines, hardly known for talking about their feelings, are voicing the full range of their emotions and reactions to war. They rap about their resentment of the military hierarchy. But they also rap about their pride, their invincibility, their fallen brothers, their disdain for the enemy and their determination to succeed.