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However, it desperately needed to define its heightened world (dream? ghosts? fantasy? heightened reality?) -- it wasn't that in this regard it needed realism, but it needed consistency. Especially when the step dad got shot -- metaphor, reality, who did it? Yadda yadda.
It also desperately needed to decide its position on the dictators of the past. Because the song Hitler did? Went from funny to creepy to very wise (in fact, had the show stuck with the "I just want to be seen" excuse for conquer and slaughter, I would have been ALL OVER IT) to absolutely terrifying monologue about Jewish. Any of those things I could work with when you have Hitler on stage, but I can't work with all of them without any discernible objective.
In problems that may just be mine -- if you're going to put Alexander the Great on stage he needs to be more than just an extended gay joke that then either does or doesn't connect (I couldn't tell) to the boy becoming his protege. Also, do some fucking research and make it clear you're making choices about it -- Alexander was likely a short, stocky man who was not the beautiful youth he marketed himself as. He can be either in your show, but you need to know what you're choose and why (see: Hitler).
Also, the climatic moment with the mother? Now It's Time For the Moral Lesson of Our Show -- look, it's musical theater. I can't ask you not to be heavy-handed, nor would I want to -- but more elegant would be good.
There were also huge structure issues, that it was clear where they came from (yes, the reveal about Manfred's dad is powerful where you left it, but no longer fits the shape of the rest of the show -- SERVE THE STORY).
Things that were awesome:
- Everything about the Caesar number. The acting, the song, the whole deal.
- Alexander's "I Will Conquer You" song. While it was written to be another extended gay joke in a lot of ways, the actor brought EVERYTHING he had to it, and I actually found it very moving.
- Most of the book. Particularly the scenes with the soldiers on the hill. Well fucking written those. Also, when Manfred is reading his lists. They're exceptionally constructed and eerie, and I wish I could remember them better to tell you about them.
- Most of the performances, even if actors weren't always given enough to do. Again, I'm looking at the soldiers on a hill.
My overall feeling: if this is the quality of stuff at NYMF, D&J is so there. Although do you know what is awesome? Getting out of the theater and having voicemail form my collaborator addressing a thing I was worrying at and making it better.
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Date: 2010-10-09 05:15 pm (UTC)Yay! on the Chilean miners. This is so much earlier than the projected Christmas date. :)
As for the trailer--all the articles I've seen said the line had been pulled from the trailer. Has it been pulled from the actual film?
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Date: 2010-10-09 05:16 pm (UTC)And I can sort of muddle through business emails in German, but not much more. Which is tragic, because I WANT TO READ THAT BOOK, since I'm not sure my project is set in the US, and I'd like to think about other locales.
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Date: 2010-10-09 05:25 pm (UTC)Hmm... maybe if you just gave the book a try, you could muddle through? If I remember correctly, it uses pretty straightforward language. I once read a Star Trek tie-in novel in French, and that is not a language I was ever fluent in.
Though it's obscenely expensive over there. If you want to try, let me know and I'll pick one up and mail it to you. Or wait--you could probably pick it up while your in Switzerland. Most bookstores could order it by the next day. Or buy it used from Amazon.de (you could use your .com account) and have it mailed to the hotel, or Patty's address... But if all of that seems to complex, just shoot me a PM. :)
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Date: 2010-10-09 05:19 pm (UTC)Stuff like that kinda always reminds me of what Simon Amstell said in an episode of Never Mind the Buzzcocks: "Katy Perry also recorded the song 'Ur So Gay'. It sounds homophobic, but of course she's using the other, fashionable version of the word, meaning anything generally bad. And anyone who thinks that sounds offensive should just Jew off and stop being so bloody black about it."
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Date: 2010-10-09 05:25 pm (UTC)Man, I despise Kay Perry's music for that and and so many more reasons, and when Amstell said that I cheered like a maniac.
So glad someone said something about that.
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Date: 2010-10-09 05:36 pm (UTC)no subject
Date: 2010-10-09 05:45 pm (UTC)I remember at the time I was asked how I felt about the song, as obviously, it represented a bisexual experience, I always said that if that was a bisexual experience how come she's doing it's "so feels so wrong"?
Thanks for your rants! Very fun to read :)
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Date: 2010-10-09 06:31 pm (UTC)no subject
Date: 2010-10-09 08:18 pm (UTC)I used to play Jill Sobule all the time back when I had my radio show.
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Date: 2010-10-09 10:57 pm (UTC)no subject
Date: 2010-10-09 05:23 pm (UTC)In Hebrew there is no "gay", it's still derived from homosexual, so the word for gay is in fact "homo" and yeah, still very much used as an insult - only in official media releases is the cleaner word used to describe the QUILTBAG community used "The Proud Community", which is actually nice as the word is "ge'eh", which is almost a homophone, but not quite, to "gay".
Have fun at your reunion!
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Date: 2010-10-09 05:26 pm (UTC)Good links today! I hope the reunion is full of awesomeness (aka the part where you're hotter and cooler than everyone who was ever mean to you in high school).
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Date: 2010-10-09 08:19 pm (UTC)no subject
Date: 2010-10-09 05:46 pm (UTC)Did Cooper finally come out when I wasn't looking?
It hasn't that much to do, really, with the 1930s film industry per se, but I never miss an opportunity to rec Lubitsch's 1932 film Trouble in Paradise, which is pre-Hays Office and deliciously racy, hinting at polyamorous themes. It holds up incredibly well today, and I am always amazed at how stunningly sexy Herbert Marshall is in it, because ... well, Herbert Marshall.
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Date: 2010-10-10 11:13 am (UTC)Wait, was that a kind of stupid thing to say? I must think so, because a day later it's bothering me. One doesn't have to be out to call Universal on its idiocy. And I respect the decision of any celebrity to keep his or her personal life private. But I'm bothered by the message it sends to gay youngsters when well-known people who are "out in private" feel unable to go public with their sexual orientation. That says there's still something to fear. And, of course, there is. But the more "out in public" celebs there are, the more it will get better.
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Date: 2010-10-09 06:08 pm (UTC)no subject
Date: 2010-10-09 06:56 pm (UTC)no subject
Date: 2010-10-09 07:24 pm (UTC)no subject
Date: 2010-10-09 08:35 pm (UTC)As for the Cardiff gay bar - maybe Torchwood fandom ought to take an interest.
The Vince Vaughn trailer thing - ugh. That really should go without saying. I can only hope (probably in vain) that in the movie, the point is made that the character is a huge asshole for using the word that way...
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Date: 2010-10-09 08:37 pm (UTC)no subject
Date: 2010-10-09 09:24 pm (UTC)It's a long list, but if I had to sum up what I think you do from my perspective, you're an actress and cultural commentator.
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Date: 2010-10-10 04:47 am (UTC)I really like "cultural commentator."
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Date: 2010-10-09 11:47 pm (UTC)I mean... why? Why argue? Why do it? Is it THAT hard to find a new word? Is it that hard to stop using it? Is it such an imposition? Are they so invested in using the word that they simply must argue with us over it?
I can't even begin to address that NYC case, ye gods I cannot
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Date: 2010-10-10 04:36 am (UTC)Nifty. Reminds me of people playing Penn & Teller's "Desert Bus" to raise money for Child's Play
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Date: 2010-10-10 01:06 pm (UTC)When being queer is not any sort of oppressed, marginalized or risky position in society so much so that no one could grasp why being gay is bad -- then you can tell me the language has changed.
Word.
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Date: 2010-10-11 09:48 am (UTC)