I finally watched Equilibrium.
I remember when it came out and wanting to see it despite the awful reviews, but I never got there. Then fandom erupted in squeeing over it for about five minutes, and I still couldn't get motived. Then all this time later I got it from Netflix but was too busy with work, auditions and costuming to get to it, and now finally.
It's... so strange, in that the dialogue is awful, the plot holes immense, the naming of things terrible enough to be nearly unacceptable (fortunately for this film, Chronicles of Riddick happened, and you just can't beat "Necromonger"), the issue and message over simplified, everything that's not sledgehammer obvious is nearly too subtle to be clear, etc etc etc.
And yet, it's one of the most visually intelligent films I've ever seen (and beautiful, and references other films in ways that are something other than a director going wink-wink nudge-nudge -- I mean this is a world where people burn films, and are shown doing it, and remnants, reminders of films presumeably destroyed in this world are echoed trhough the film that tells this story -- it's all meta and neat), and the ending is profoundly, weirdly, surprisingly dark -- obvious sure, but it's the place you always want movies like this to go and then they lose their nerve. This doesn't.
I watched the first 90% of the film thinking this, instead of The Vampire Lestat, could have saved my life when I was twelve, had the timing been different, and the last 10% of the film realizing it would have made me an appallingly cold child (something that would have probably been useful for a few years in there).
It's not a good film, and in all ways easy to describe it is, in fact, pretty damn stupid. But the attempt that it is, is worth seeing, especially if you have any interest in toltalitarianism as portrayed in film, as this manages to slide right through everything from Metropolis to Leni Riefenstahl to the vastly inadequate but still echoing film version of 1984.
Really interesting if you allow yourself to accept it merely as a sketch of a film orchestrated as if it were merely the same nightmare its creator had been having since the age of nine.
For a full day of flawed science fiction, following it with 28 Days Later and then Gattaca would work nicely. That said, 28 Days Later scares the crap out of me, and Gattaca makes me cry and this... just reminds me of my smile, and that my friends, is a little creepy.