some terrifying dark art
Oct. 18th, 2006 03:16 pmSo far, the reviews on The Prestige are largely not good. The book is very complicated and hinges on an obsessive attention to detail about things most people don't care about, so it's unsurprising the movie would be hemmed in by the same. That said, most of the criticism seems to be not about this, but the fact that the characters are so driven and because of this, so seemingly heartless. Yes, that's right folks, one of the movies I've been most eager about this year is being panned because it's too Slytherin.
That said, The Village Voice has a review that's pretty good and written in a rather lovely way:
http://www.villagevoice.com/film/0642,foundas,74759,20.html
Its final paragraph sums up, largely, how I feel about most everything:
That said, The Village Voice has a review that's pretty good and written in a rather lovely way:
http://www.villagevoice.com/film/0642,foundas,74759,20.html
Its final paragraph sums up, largely, how I feel about most everything:
Directing his first period feature, Nolan has picked the ideal setting for a filmmaker of such rationalist inclinations—that seismic moment at which the Victorian era began to cave under the weight of the nascent Machine Age. Thus The Prestige, filmed with a minimum of digital chicanery, is at once a lament for the loss of the manual and analog and an awestruck marveling at the possibilities of electricity and mechanization. In one moment of ethereal beauty, Tesla makes a field of oversize lightbulbs burst into brilliant illumination without apparent benefit of wires or generators. And so one is reminded how, for all the wonderment of a Houdini or a David Copperfield, the true magic of the universe lies in the onward march of science and industry, and in those many things we now take for granted—like movies themselves—that once seemed the workings of some terrifying dark art.