The most moving of the plays is Racheline Maltese’s “Dogboy and Justine,” directed by Cash Tilton. The setting is a brothel that specializes in kink, and the company duly thanks David Menkes Leather for the scary props and costume pieces. All the working girls are getting clients but Mistress Justine, who has to content herself with a frequent and pathetic caller who wants to be treated like a dog. “Everybody likes dogs,” he explains.I can't tell you how good this review feels. Remember Dogboy & Justine continues to run as part of Act V: One Act at The Secret Theatre, Jan 20 - 23.
Though funny, Maltese’s work has a depth and poignancy that the other plays don’t access. The caller, played by Christian Barber, gets across an excruciating loneliness, even as we never see him. Stacy Ann Strong is the voice of his distressed mother, who sheds a sad light on why her son is the way he is. Melissa Ferraro plays Justine with a nearly maternal compassion; she’s not hard like the other girls Jeannie (Amanda Boekelheide), Erika (Laneshia Pryor) or Dynamite (Christy Richardson). This is a play that lingers in the mind.
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Gary asked me to vote for 75 entries to stay. I struggled and struggled to get to that number. Being more generous than I wanted to be, I only made it to 40 on the first past. Eventually I got close to 75, but didn't hit it, and that was even after grading you people on a curve.
How many of you did I really think deserved to stay after reading all those entries? About 25. Maybe. You're lucky I was feeling nice.
Here are my general thoughts: ( Read more... )
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