Tonight Patty and I are dining with friends of hers, then tomorrow it's my parents, and then Wednesday it's just us and Thursday night she gets on a plane. Deep breaths. What's great about Cardiff is this time I won't have to go those two - three weeks where it's impossible to hear from her. Those are always the worst.
Right now I have two pitches out that I'm waiting to hear on. My goal for the fall, if I can manage it, is to always have three things out awaiting answer. That way, nothing looms too large and neurotically in my head, and I produce more and get stuff done. Also, if someone says no, most of these things can be retooled for other potential markets/outlets/mediums/whatevers.
Meanwhile, 'tis the season in New York. We're just off Fashion Week, now moving into the New York Film Festival and shortly into the New York Musical Theater Festival. It's the most wonderful time of the year -- that is, if you care and have the time and the cash and the clout. Me? Any year I can't get into the opening night of the NYFF always feels slightly tragic to me. I saw Akira Kurasowa's Ran with my parents the year it opened the festival, sitting up in the balcony in a hand-painted sweatshirt dress and a big clunky antique anklet on that had been my grandmother's in the old country. Kurasowa spoke and everyone below us was in black tie, and you could feel in the air that it mattered. It's one of the only times I can think of where I wasn't where I wanted to be, but it was happily close enough.
Speaking of that time of year -- it's time for the Regency Assembly in New Haven CT -- October 16 & 17th. (yes, Dragon*Con Recency people, I still owe you a post, but you should come to this!). Baring extreme social excitement, this will probably be my last public outing before I leave for my 5 weeks in Europe at the end of that month, so if you want to say hi, come to Connecticut.
Girl on a Whaleship! In 1868 a six-year-old girl went with her family on a 3-year whaling voyage and kept a journal, now scanned in and available online.
At the polls, it's anger vs. despair and that breaks down along gender lines: men are angry, women are despairing and may stay home from voting. I could make comments. I could make a lot of comments, but they'd reinforce a lot of gender dichotomous stuff I work hard not to believe in or pay attention to when it comes to my opinion other people, so I'm just going to let it sit there, because you're all smart enough to draw your own conclusions.
Paul Krugman, meanwhile, on the rage of the rich. Btw, it's worth noting that study after study show that something like 98% of Americans, when polled, define themselves as a higher economic class than they actually are. There's some interesting lines to be drawn through my first voter rage link to this one, in light of that.
Keeping kids safe from the wrong dangers: statistically, it's irresponsible to put your kid in your car and drive them to the orthodontist; they're a lot safer if they walk there. Alone.
The German foreign minister has entered into a civil partnership. Good on him. Article linked because it notes how civil partnership in Germany conveys most of the same rights as marraige, oh, except tax benefits and the right to jointly adopt children. I'm so sick of all these "I suppose that will do" footnotes. Also can you imagine having such a high-ranking openly gay official in the US? Yeah, thought not.
So, Boardwalk Empire: Scorsese is at his best when he's working with music, and the same is true for this show so far. Much of the rest of it feels flat, and it's perhaps my own biases (and the heavily rhythmic trailers) that left me feeling this was something of a disappointment. On the other hand, Scorsese is also often at his best when working with small New York stories, so there may be hope for this, even as Atlantic City is on the fringe of New York. Certainly, it's no surprise to me that what shines the most in this show so far is ( Read more... )
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