For one thing, we get a lot of time in Jack's head about his immortality and how this affects his ability to relate to other people. It seems like a great set-up for CoE in the sense that I don't feel like Jack has made a choice yet about how to emotionally engage Ianto, but he can tell he has to and that it's going to cost him either way (there's also a bit of thought about whether Gwen or Ianto will leave Torchwood by death or retcon, which felt deeply ominous to me as regards CoE). He's dwelling on Owen and Tosh; he feels isolated; he has to make hard choices. As much as the central plot of this one seems to revolve around Ianto and the singing thing, Pinborough's access point to the TW universe is clearly Jack and Jack's emotions. We haven't seen that before, and since that's my access point to TW also, it was a great read for me. Her Gwen is solid and interesting, and it's worth noting that we almost never see Ianto's emotions from Ianto's perspective, except when he's cranky -- instead we see Gwen and Jack assuming what he's thinking. It's interesting, and I don't know if it was a conscious decision on the author's part, but it's worth nothing.
She's also fantastic with the OCs. I loved Cutler and her details were, in general, sharp and interesting, although this is also where the book potentially runs into trouble for some readers. There's a significant subplot involving a severely autistic boy. The plot is within the realm of reason, but in an extremely outlying way that could imply a lack of understanding of autism, and it's probably going to piss some readers off. I was willing to run with it and, when that part of the plot gets resolved, accept it, because this is a book all about murky shitty choices and it's clearly taking its cues both from Meat and Small Worlds. But if you're not comfortable with shitty and grey choices not being explicitly spelled out as such or having bad consequences, this book may make you angry, but I think it walks the line in true Torchwood style.
For Jack and Ianto fans, their relationship feels like solid, if unlabeled, background noise, and it's satisfying. Pinborough gets away with (or was willing to provide) more risque innuendo than I've seen in the novels so far, even as it's much less an upfront thing than, say, Almost Perfect. There are times you want to shake both Jack and Ianto, but not in a stupid French farce sort of way -- they're both just odd ducks, and I think there's some good fanfiction fodder in trying to figure out why on earth they conduct themselves towards each other quite the way they do.
Hopefully we'll have more from Pinborough in this franchise. She's bringing something to the table no one else has yet -- in the books or on screen (with the possible exception of Out of Time) -- and I think her work has the potential to satisfy readers who look at some of the more emotionally thoughtful and well-plotted fanwork in this franchise and say "why couldn't the show do this?"
Re: VIdeorama
Date: 2009-07-01 11:46 pm (UTC)http://img29.imageshack.us/img29/6169/vidoramavideoawardsrule.png