oh fandom, NO!

[rm]

http://community.livejournal.com/jackxianto/3668643.html
in which someone says something that sounds an awful lot like "die-hard SF/F fans are an oppressed minority."

http://community.livejournal.com/jackxianto/3668643.html?view=12636067#t12636067
In which I yell.

thanks for the heads-up from starstealingirl

Subcutlures, because they are by definitions not the mainstream dominant culture, are technically minorities.

But here's the deal, I'm a minority because I'm queer, because I'm Jewish, because I am not as white as look.

Engaging with enterainment in a non-culturally dominant way may be responsible for affecting the tone of huge swathes of my life, but it doesn't define it. Being a member of an actual minority does.

I am not a minority because I like SF/F or because I cried and cried and cried for Ianto or even because I have an unpopular fannish opinion in the sense that I'm not all worked up about RTD and whether he respects fandom or not -- I don't care, I don't need his approval.

Believe me, I get what you are saying. For older fen in particular, there is this very real sense of being in this small, sort of looked down upon subculture and since many of us interact with the world differently than the mainstream (there are studies on the high incidence of the non-neurotypical in the fannish community), I do sort of get why you chose this angle to frame your point.

But with things like Harry Potter, Star Wars, Lord of the Rings, Comic Con, Dragon*Con, and, yes, the Children of Earth miniseries, fannishness is now a pretty nearly mainstream activity.

But more than that: no one ever threw beer bottles at me for being fannish. No one ever threatened to rape me for being fannish. No one fucking threatened to beat my face in with a brick for being fannish. They have (the first two) because I was gay and (the third) because I'm Jewish.

Considering one of the biggest plot points and now fandom controversies relates to the show's handling of Ianto's sexuality, you really might want to check yourself here.

I am a minority and it's not because I loved a man who never was, even though I did.

Comments

[rm.livejournal.com]

And normally, I never sort of cover the wank because I really don't want to be a part of it, but this one... it's been hard to stay out of it, because of places I feel I have to speak out, and because you know, it's just swallowing up this huge circle of friends I have. I'm pretty sure I've not always been at my best in it, but I'm trying, really trying.

What's super crazy, is I've spent so many cycles on all of this, and still haven't gotten around to saying any of the things I really want to.

One more thing -- I watched a video from SDCC of JB talking about filming the death scene, and you can see RTD to the side, visibly swallow in what I thought was a moved/pained sort of way, when JB talked about how really fucking hard it was. Regardless of what comes out of RTD's mouth, I think we have no idea what's going on in his head, and he certainly wouldn't be the first person to be a bit of an asshole in the name of defense mechanism both in regard to feelings about the work created and its reception.

*respectfully disagrees* (pt 1 of 2)

[loveslashangst.livejournal.com]

*respectfully disagrees*

I can't speak to what you saw on the video, but I can say what I felt, being one of the people sitting in the audience. From the moment he came out, RTD was grinning and almost gleeful at the thought that people might be upset at any of his decisions. And the more we objected, the happier he looked. The more we asked him to clarify and show even the slightest understanding that he'd slashed-and-burned TW to the point where none of us could see any future for the show, the more defiant, defensive, and dismissive he became. And JB and JG, both being good and decent people who really LOVE the show, defended him because... well... they have to.

Usually, my sympathy is with the writer/creator, because fans can be a seriously demented lot. (There is no way I would EVER defend the death threats. It's a SHOW, people.) But whereas someone like Joss Whedon knows which characters to kill and when (and how) and is very specific in his choices, RTD indulges in shock-value writing that does not serve the plot, nor does it allow characters to have naturalistic responses. It's the daytime drama model. Worse, he seems to equate himself with a Joss Whedon when in reality he's more the heir to George Lucas, except that he didn't actually create the series for which he's now known.

So in addition to the very real sense of insult that I felt, being in the room, let me identify a non-Ianto, non-personal CoE example of why the man earned first my dislike, and now an emotion that really does verge on hatred:

1) The 456 want 10% of the world's children because they're inter-galactic meth-heads.

2) The government has a chilling meeting in which they decide to save "the better half" and only cull the 10% out of the worst schools in Britain. It's eugenics at its worse.

3) The government launches a smokescreen campaign, in which they convince parents that there is a necessary "inoculation" and they should bring their children to school out of a sense of patriotism and in defiance of the 456. It's a very Bush-ian "can't let the terrorists win" argument, and as such is resonant and visceral with its audience, Americans in particular.

(CONT'D)

*respectfully disagrees* (pt 2 of 2)

[loveslashangst.livejournal.com]

4) RTD steps in, having been served this DREAM assignment on a silver platter. Ianto is gone. The children will be next unless a miracle occurs. (Which we know it will because Jack is a Big Damn Hero.) All we need now is some climax to resolve the issues, bring forward our new TW candidates, and let us cry a few well-earned tears for those who fell.

5) Buses show up at the schools. With armed soldiers. And armed military vehicles. And a Bad Attitude. This is the stupidest tactic I can think of, because it completely gives lie to the "this is a simple inoculation" propaganda. It alerts mothers and children and fathers that Something Very Wrong is about to occur. Instead of continuing the chill factor started in the cabinet meeting -- letting smiling, patriotic mothers wave their children goodbye, thinking they'd done their civic duty for Queen and country -- RTD moves the soldiers in. Takes the children, kicking and screaming. Fights the mothers.

Why do I disagree? It's too soon. This much emotion this quickly? It's the soap-opera pastiche of emotion. It forces mothers to have a sense of dread where they should have very little. It compels soldiers to act under duress in ways that I just don't find believable. Everything is crying and tantrums and a knowledge of Wrongness where there should be none.

My advice? Let the mothers let their children go, even if some have misgivings. Have "doctors" and "nurses", who the audience know are actually trained military personnel, to smile and guide the kids aboard while choking back their own concerns.

RTD often makes the mistake of giving himself no place to go. He's already blown the wad, so to speak, in the above instance and thus when I'm asked to show more emotion later as Gwen and everyone are running literally for their lives, it feels like the retread of a previous scene, instead of the heart-wrenching climax it NEEDS to be. There's no pacing. None of the finesse I saw in the first three days. None of the fulfillment of the promise of the premise that the other writers and Euros Lynn delivered. (Not to mention that the cast has never been better.)

In short, I feel that the writing shows the same superficial understanding of the real emotions and motivations of people that RTD himself displayed in person. Is he under attack? Hell yeah. Is he reacting defensively as a result? I'm sure he is a bit. Does he deserve the scrutiny and condemnation? Perhaps not to the insane degree that some are going, but the mess he made was one of his own choosing, and in dismissing the shock and grief of fans as a "fangirl" and "internet" response of only a few is to denigrate his fans. Regardless of ratings, I have yet to hear anyone defend days four and five. (The trailers for days 4 and 5 were actively booed.)

If I were RTD, knowing that fans are arguing at all about whether his were appropriate responses would make me look at myself. Question what I'd done and said. Then I'd go public. Make peace with those I could. Agree to disagree with those I couldn't. But in the end, I would do what both DT and JB did, which is to come back to gratitude and respect. "Thank you for being so passionate in your love for what I do."

Agree or disagree, if I'd at least felt valued as a fan, I would've forgiven RTD everything else. The sad thing? I WANTED to. I was hoping he'd have his day in public, and we'd see it was all a stupid bit of fandom wank, and I could go home feeling good about having supported him, even if I STILL think he made stupid choices.

Unfortunately, that's not what happened.

[ophymirage.livejournal.com]

One of the things that I think is most interesting (and revealing about fandom) is that, even in this thread, people seem to have come away with VERY different impressions of not what RTD said, but HOW he said it - "tone", as stardragonca said. I'm guessing that lots of the reaction was personal interpretation, based on how they already felt about the plot arc.

Me personally, haven't seen the video, was not at ComicCon (LSA was, and has her own definite opinions, withholding judgment till I have time to sit down and watch some of it myself.) As a writer, I am totally unsurprised by the idea that he was reacting 'defensively' to fans' responses. I also completely get why he might be excited/gleeful that he'd had lots of emotional reaction in the fanbase. We always want to know that our work's made an impact. :D

I watched a video from SDCC of JB talking about filming the death scene, and you can see RTD to the side, visibly swallow in what I thought was a moved/pained sort of way, when JB talked about how really fucking hard it was.

As a fan, this makes me happy. I'd like to know that he *did* feel some measure of sadness for a beloved character, and for jack's reaction to Ianto's death. It sounds like the current perception in fandom, based on his recent interviews at SDCC and in other venues, is that he doesn't even feel sad about it at the writer level. I'd like to think that's not true. :)