I always feel bad because I don't tend to take on comics in any of my pop-culture work, and the D*C academic track is rightfully wanting comics content. There is a whole comics component to the Death Stuff (in large part thanks to Wendy Pini's awesomeness at Gallifrey, who gave me multiple places to start), so I could totally submit on that, but it's A Lot of Work, that I possibly don't want to be doing this summer before Patty's off traveling a lot.
I always feel bad because I don't tend to take on comics in any of my pop-culture work, and the D*C academic track is rightfully wanting comics content. There is a whole comics component to the Death Stuff (in large part thanks to Wendy Pini's awesomeness at Gallifrey, who gave me multiple places to start), so I could totally submit on that, but it's A Lot of Work, that I possibly don't want to be doing this summer before Patty's off traveling a lot.
no subject
Date: 2010-05-21 05:09 pm (UTC)Awesome!
"Does anyone have any thoughts on anything they'd like me to have a go at at D*C?"
Sure! I'll throw a suggestion out there: something about rebooting in relation to characters (not necessarily character death)? It seems to me like the model for popular US comics, TV series and action heroes is to go through lots of reboots. When either the character or the setting changes too much from the original, the entire thing just gets started over again from scratch. But the Whoniverse seems different because the rebooting is very self-conscious, sort of tongue-in-cheek. I go through periods when I hate rebooting because it just leads to the same story getting told over and over again, but if you love the big character-driven epic type of stuff, the appeal is unavoidable... anyway, that's the type of thing I'd love to hear your analysis on, although there may already be a lot of papers on it that I don't know about.