Torchwood wish-list
Jun. 8th, 2010 12:31 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
rmSince everyone else is playing:
1. Some way of addressing the dead. What I want here is probably much, much smaller than what other people want. That thing where Gwen touched the picture of Tosh and Owen in CoE? More than enough. Just an offhand non-specific remark from Jack about how hard it is to be back in Cardiff/on Earth, or even something more sneaky than that (like the awesome thing where the Doctor goes "You're only 26" at that dude in "Waters of Mars" and it felt like talking about CoE without talking about CoE) is plenty for me. I don't want big; I want elegant.
2. Time differentials. I want it to be longer for Jack since CoE than for Gwen. And I want it to be a source of tension. And I want this to mean that Jack gets to make one hell of an entrance.
3. Alonso. I think Alonso is a good, awkward thing for Jack and serves as a way to address lots of Jack's awkward fucked up shit. Fandom's too, especially when it comes to cliches about masculinity, size, youth and authority.
4. Platonic love. One of the best things, and I think one of the things most missed in the transition from S1/2 to CoE, was just how much everyone on the team fucking loved each other, even on days without sex pollen. I want that back SO BAD.
5. A Jack who is doing the work. I'm not talking a relationship heart to hearts here. I'm talking about someone who's less invested in his fucking emo flaws and more invested in getting the job done. Time for Jack to grow up, just a little; the audience needs him to be proud of himself again.
6. A PC Andy who's more than a punchline. Certainly, he evolved AWESOMELY in CoE. Let's not lose that.
7. No stunt casting. I don't want to see faces I recognize in the outside of the UK casting. I want people to keep having interesting looks and energy. Which is to say, I love Nathan Fillion, but could do without.
8. If John Hart comes back, that relationship needs a resolution.
9. John Fay on the writing team. He's a good guy and a good writer who's still full of wonder for the genre and its community, and the fresh perspective is great for the tone of the show.
10. More with the smart fucking use of music. Less with the spoiling us by early releases of track titles on Amazon.
11. Euros Lyn directing. I still don't know how he got those fucking performances out of folks in CoE. Torchwood has always needed a very forceful and precise director, and CoE only worked as much as it did because of where Lyn was able to pull subtlety out of actors who don't tend to lean that way. I think the show absolutely, positively, continues to need his hand on it.
12. Finally, Torchwood needs to stay big. I neither need, nor particularly want, to be more gutted after S4 than I was after S3, but I do want to be as moved and leave the experience thinking that I was a part of something truly astounding. As much as there's been a lot of interpersonal heartbreak post-CoE amongst both fandom and fandom's broad relationship with the TW creators, I'm still thrilled at the moment of time we all got to be in together, and wouldn't trade that experience for the world. Let's do it again.
1. Some way of addressing the dead. What I want here is probably much, much smaller than what other people want. That thing where Gwen touched the picture of Tosh and Owen in CoE? More than enough. Just an offhand non-specific remark from Jack about how hard it is to be back in Cardiff/on Earth, or even something more sneaky than that (like the awesome thing where the Doctor goes "You're only 26" at that dude in "Waters of Mars" and it felt like talking about CoE without talking about CoE) is plenty for me. I don't want big; I want elegant.
2. Time differentials. I want it to be longer for Jack since CoE than for Gwen. And I want it to be a source of tension. And I want this to mean that Jack gets to make one hell of an entrance.
3. Alonso. I think Alonso is a good, awkward thing for Jack and serves as a way to address lots of Jack's awkward fucked up shit. Fandom's too, especially when it comes to cliches about masculinity, size, youth and authority.
4. Platonic love. One of the best things, and I think one of the things most missed in the transition from S1/2 to CoE, was just how much everyone on the team fucking loved each other, even on days without sex pollen. I want that back SO BAD.
5. A Jack who is doing the work. I'm not talking a relationship heart to hearts here. I'm talking about someone who's less invested in his fucking emo flaws and more invested in getting the job done. Time for Jack to grow up, just a little; the audience needs him to be proud of himself again.
6. A PC Andy who's more than a punchline. Certainly, he evolved AWESOMELY in CoE. Let's not lose that.
7. No stunt casting. I don't want to see faces I recognize in the outside of the UK casting. I want people to keep having interesting looks and energy. Which is to say, I love Nathan Fillion, but could do without.
8. If John Hart comes back, that relationship needs a resolution.
9. John Fay on the writing team. He's a good guy and a good writer who's still full of wonder for the genre and its community, and the fresh perspective is great for the tone of the show.
10. More with the smart fucking use of music. Less with the spoiling us by early releases of track titles on Amazon.
11. Euros Lyn directing. I still don't know how he got those fucking performances out of folks in CoE. Torchwood has always needed a very forceful and precise director, and CoE only worked as much as it did because of where Lyn was able to pull subtlety out of actors who don't tend to lean that way. I think the show absolutely, positively, continues to need his hand on it.
12. Finally, Torchwood needs to stay big. I neither need, nor particularly want, to be more gutted after S4 than I was after S3, but I do want to be as moved and leave the experience thinking that I was a part of something truly astounding. As much as there's been a lot of interpersonal heartbreak post-CoE amongst both fandom and fandom's broad relationship with the TW creators, I'm still thrilled at the moment of time we all got to be in together, and wouldn't trade that experience for the world. Let's do it again.
no subject
Date: 2010-06-08 11:13 pm (UTC)With this one (the rest I agree with completely or enough to not need to discuss) what I want is the best, most interesting actor for the role, period. I don't care if they cast Harvey Keitel if the role calls for something Harvey Keitel can do really well, but I'd rather they didn't cast Harvey Keitel just because he's Harvey Keitel (usage of big name in recent TV series, no wish list on casting though I would be very happy as I like him). Does that make sense?
no subject
Date: 2010-06-08 11:14 pm (UTC)no subject
Date: 2010-06-09 11:14 pm (UTC)no subject
Date: 2010-06-15 04:34 pm (UTC)