While I am perfectly aware (so don't start that argument with me) that privacy on the Internet and LJ is largely an illusion, people are entitled to that illusion. They are also entitled to being able to deactivate the use of such a tool that makes privacy violations seem easier and more appropriate in their own spaces.
I made a locked post about this last night for a bunch of people to test the feature. Yes, it really works as I've described. Other than using that post to test this feature, DO NOT cross-post comments you make in my locked entries to other services using this feature (you own your own words, and cutting and pasting from a comment you make to me in a lock post that doesn't reveal the source or information I'm handling delicately is fine, but as I've seen noted elsewhere comments sure can reveal a lot about what someone is saying privately).
If you want to complain to LJ about the lack of opt-out/opt-in in the implementation, use this handy post from
I don't, btw, really have the time to go to war with LJ about this this week, but you should be aware.
The stuff that felt like fan service last week felt organic and weirdly risky this week (Neal helping Peter with his cufflinks), but I'm still not sure what to do with a show that is clearly catering to audiences interested in queer plotlines while not really being willing to go there (yeah, yeah, Diana's a lesbian), because this is not a buddy relationship we're reading with slash goggles. The power differential sexualizes the equation even if these really are two straight guys, because that's the society we live in and sex is often used for dominance. Complex stuff, that frustrates me as a queer person and excites me as a critic and a kinky person.
Loved that Mozz was not over-used or too wacky to be plausible this week. Loved the Peter in peril thing (the look on Neal's face), and loved the ridiculously shouty metaphor with the music box and the key and Peter and Neal being all intense and in each others faces in that moment. Here, again, reading as fan service is just weak and doesn't work. Even taking off the slash goggles, I see two men who know that their interaction is about dominance struggles and therefore, sexuality, even if they are straight. We don't really talk about this in our culture. It's interesting to watch a show that's sort of fumbling around in the dark about, sometimes very, very intelligently.
Oh god, I want to do criticism on White Collar, don't I?
I LOVE JOAN SO MUCH. She is so tough, and so ruthless, and wears pretty dresses (that don't contradict her hardness at all) and she an Annie have such a slashy vibe it's hilarious.
This episode had a lot of nice moments. Aside from all the Annie/Joan scenes (which Chris Gorham tweeted about, and I hope he knows what that slash means to fandom), I thought Auggie telling Annie to turn her speakers down was hilarious. Also, there was a gorgeous little moment between Jai and Auggie that I just loved.
Other great things about this episode?
- Annie's sister getting the smackdown re: exoticizing Jai.
- Now, whenever Auggie has an episode where he looks super rumpled, I'm like "Oh my god, you are having so much sex" and I start laughing. He was super rumpled this episode.
Things you should write for me:
- Joan/Annie
- Jai/Annie
- Auggie/Joan
- Annie/Auggie/Jai hate sex that sorta winds up an ongoing thing like that affair Gwen and Owen had, "I'm fucking you because no one else understands."
Yes. Yes please.
no subject
Date: 2010-09-01 07:52 pm (UTC)BTW, I think all that catering you mentioned is for the female audience rather than the queer one if only because of the type of husband Peter is. He's "enough". He's tough enough, smart enough and sensitive enough.
Also, my wife says I act like that about her. I have never spoken to her photograph...I just act like she's there anyway.
'Covert Affairs' bugged me this week because of the damned boyfriend. The characterizations were good, but the overarching plot annoyed me.
Is he or isn't he rogue?
Not really caring.
no subject
Date: 2010-09-01 07:56 pm (UTC)Re: WC and audiences -- it's clearly for the female audience, but this is the sort of content queer people have to make do with -- stuff that's not even for us or about us, but it's better than the alternative.
no subject
Date: 2010-09-01 08:04 pm (UTC)And for the longest time "blacksploitation" movies were the only examples of black male power and sexuality even if it was a flawed lens. So while different, I grok what you mean about making do.
Did I make sense there?
no subject
Date: 2010-09-01 08:09 pm (UTC)I'm curious about Undercovers, because it looks good and I love the lead actress in it, but I don't know if there's room for two spy shows on TV right now (and really not just two, there's Nikita and some other stuff coming down the pike right now too).
no subject
Date: 2010-09-01 08:27 pm (UTC)And the key to having conversations of this type is listening first and reacting second, I think we both try to do that.
You know you mentioned because in some ways it is and in some ways it isn't. And I was just thinking, we both are or have been objects to fear.
You're somehow a threat to "values", whatever the hell that means this week and I'm just a threat.
But still both things to be feared with different reasons, rationales and impacts.
And just in that issue alone, it's the same, but different.
I've had white females indicate that they saw me as a threat for one reason or another and I can't tell you what personal impact that has on your humanity, except I can share that with you because while it's not the same, you've also had your basic humanity attacked.
It's a shared grokking.
no subject
Date: 2010-09-01 08:28 pm (UTC)no subject
Date: 2010-09-01 08:33 pm (UTC)no subject
Date: 2010-09-01 08:42 pm (UTC)I was drinking when I read that.
Very difficult to keep from snarfing it all over.
I will have my revenge. :D