"... cinemas as illusion, and the construction of imaginary worlds into which one could escape without being incarcerated."Um, is that generally a concern with imaginary worlds? Also, could an Aussie tell me if incarceration implies prison or mental-health related hospitalization more in your English? Is this the author's version of referencing Snape's Wives?
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Date: 2010-09-23 03:42 pm (UTC)Watch everything and say as little as possible. Joan operates the way she is supposed to. She trusts no one deeply, and would not insult Arthur by saying she does. He's a spy. She's a spy. They ferret out and keep secrets for a living. She's still trying to figure out how much of Annie's seeming earnestness is real and how much of it's an act. It's a puzzle. Joan is very good at puzzles.
Everyone says Annie reminds them of Joan--a younger Joan. But Joan knows she was never that earnest. And the romance with Ben is so pedestrian and really, it reads like something from the paper back section of the bookstore. Joan is almost disappointed in Annie for falling back into bed with Ben in Sri Lanka. It's obvious neither of them know they're being watched. Joan likes to watch. It gives her an almost omnipotent feeling.
Ben and Annie coming together, well, it's like watching a car wreck and Joan cannot turn away from the grainy images. She knows their romance is going to end badly. It has to. Still she watches Annie with her head thrown back and wild noises escaping her throat and Joan crosses her legs to increase the pressure on her sympathetic throbbing. She'll take it out on Arthur later and he'll never know where it came from. He takes it as his due.
Sometimes Joan wonders what it's like to be a man--to take a woman and thrust yourself into her. She'll never know, but she thinks she'd rather lie with Annie as herself and drink her in and have her the way no man ever could.