"... cinemas as illusion, and the construction of imaginary worlds into which one could escape without being incarcerated."Um, is that generally a concern with imaginary worlds? Also, could an Aussie tell me if incarceration implies prison or mental-health related hospitalization more in your English? Is this the author's version of referencing Snape's Wives?
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Date: 2010-09-23 02:09 pm (UTC)My one-data-point Aussie brain says jail.
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Date: 2010-09-23 02:09 pm (UTC)no subject
Date: 2010-09-23 02:18 pm (UTC)The only thing I can think of is that perhaps it has something to do with Foucualdian notions of the carceral society. But I really have no idea.
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Date: 2010-09-23 02:21 pm (UTC)no subject
Date: 2010-09-23 02:28 pm (UTC)no subject
Date: 2010-09-23 02:44 pm (UTC)no subject
Date: 2010-09-23 02:45 pm (UTC)In reading through the article that you referenced above, it is the Republicans that are claiming he will be in character, not Colbert himself. Apparently he did, in fact, spend a day working as an agricultural worker and that's what he is invited to testify about.
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Date: 2010-09-23 02:49 pm (UTC)no subject
Date: 2010-09-23 03:19 pm (UTC)Pretty much against slut-shaming and solidly against low-quality Christianity (no other kind portrayed).
I wanted to line the audience up against a wall and shoot it because they thought it was really funny when the fat guy was humiliated.
On the whole, pretty funny and intelligent.
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Date: 2010-09-23 03:26 pm (UTC)Crazy=effective.
Fixed that for you.
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Date: 2010-09-23 03:29 pm (UTC)Amanda Bynes is a special favorite of mine. She's got Carol Burnett-style physical comedy chops.
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Date: 2010-09-23 03:31 pm (UTC)What I don't get -- and this is probably the Bad At Being A Primate thing once more -- is why it matters to you on a personal, emotional level (as opposed to it mattering in terms of politics and social change). Because, who sees themselves represented in entertainment properties? Ever? Mass entertainment properties shoot for a tiny band of archetypes and mostly hit their targets; it's not especially likely that any such property will ever feature a character who resembles any of us in a more than accidental and passing kind of way. If being represented in an entertainment property (or even a literary work, where the parameters are looser) were of primary importance to me, I'd never be able to watch anything at all.
I know that this isn't the way other people feel and react, and I don't mean to suggest that it ought to be. I just, in my space-alien kind of way, want someone to explain this to me in some way that allows me to wrap my brain around it. It may be hopeless -- like describing a scent to someone without a sense of smell -- but I'm not quite ready to give it up. And so periodically I ask my plaintive question: aside from the practical social-engineering considerations, which I understand and agree with, why do you care? Especially given that you know -- you know -- that a genderqueer character would at best be written exactly like a cis character of the same archetype?
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Date: 2010-09-23 03:36 pm (UTC)This makes me ridiculously happy. :)
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Date: 2010-09-23 03:42 pm (UTC)Watch everything and say as little as possible. Joan operates the way she is supposed to. She trusts no one deeply, and would not insult Arthur by saying she does. He's a spy. She's a spy. They ferret out and keep secrets for a living. She's still trying to figure out how much of Annie's seeming earnestness is real and how much of it's an act. It's a puzzle. Joan is very good at puzzles.
Everyone says Annie reminds them of Joan--a younger Joan. But Joan knows she was never that earnest. And the romance with Ben is so pedestrian and really, it reads like something from the paper back section of the bookstore. Joan is almost disappointed in Annie for falling back into bed with Ben in Sri Lanka. It's obvious neither of them know they're being watched. Joan likes to watch. It gives her an almost omnipotent feeling.
Ben and Annie coming together, well, it's like watching a car wreck and Joan cannot turn away from the grainy images. She knows their romance is going to end badly. It has to. Still she watches Annie with her head thrown back and wild noises escaping her throat and Joan crosses her legs to increase the pressure on her sympathetic throbbing. She'll take it out on Arthur later and he'll never know where it came from. He takes it as his due.
Sometimes Joan wonders what it's like to be a man--to take a woman and thrust yourself into her. She'll never know, but she thinks she'd rather lie with Annie as herself and drink her in and have her the way no man ever could.
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Date: 2010-09-23 04:04 pm (UTC)...Oh look, they've reskinned the "edit/delete/track" buttons on the comment threads again. I'd bet dimes to buttons that's what caused the wobble in comment delivery. For all that they moved to bigger servers, their system does seem to get... robust... whenever they're making minor changes.
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Date: 2010-09-23 04:24 pm (UTC)Has anyone heard of an Irish company called Odlum's or a product called tritamyl flour? I've found several references on the web saying that it's suitable for GF baking, but there's nothing out there explain what it actually is, or how it's produced. The best explanation I found was that it seems to be some mixture of "commercially produced gluten-free flours." That's not exactly a phrase that soothes this paranoid consumer's heart, but the product itself is intriguing.
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Date: 2010-09-23 04:50 pm (UTC)Also, you might want to say "a woman who has a mental disability" as opposed to "a mentally handicapped woman." Person-first language yay!
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Date: 2010-09-23 05:02 pm (UTC)It's also possible that I most identified with the "outsider" archetype while growing up, and there are plenty of books about teenagers that don't fit in.
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Date: 2010-09-23 05:20 pm (UTC)no subject
Date: 2010-09-23 05:22 pm (UTC)no subject
Date: 2010-09-23 05:28 pm (UTC)no subject
Date: 2010-09-23 05:29 pm (UTC)no subject
Date: 2010-09-23 05:50 pm (UTC)But to go back to two shows I keep talking about:
On Covert Affairs everyone is, as far as we know, straight. And, until various interpersonal relationships became integral to the "everyone is a lying liar who lies" plot that I now really like, there was a lot of time wasted on girls worrying if a boy would like their hair or a married couple feeling alarm about whether they're having enough sex or whether the wife will still respect the husband if he loses his jobs. Gender and sexuality then drove the discussion of these things, and to me it's not just boring (as it is for a lot of straight people who aren't those straight people), but so weirdly prideful. And it makes me react like I'm some sort of failure for not having those anxieties.
On the other hand, theres Torchwood, which, to be fair, in a lot of ways in its first two seasons is a terrible show. Queerness is everywhere in it as background noise (only ocassionally rising to the level of plot point) and while the dramas many of the queer relationships have also aren't mine, they don't instinctively feel to me like a value judgment. That value judgment issue is largely about my own damage living in this world we do, but the fact is, it's nice to watch TV that doesn't, even if it's all my fault really, make me hate myself.
Also, I happily take gender non-comformity where I can get it -- for all I complain about White Collar not being quite sure what it's on about, the male friendship and the male vanity it showcases alongside competent feminine women (including the awesomest straight wife on TV, and a very cool lesbian character), means that I can watch it and accept its existence in my world because it would clearly accept someone like me in its.
Or, to go back to Torchwood -- Jack's not just a bisexual action hero, he flirts like a girl. In fact the body language on that show not matching gender stereotypes and expectations is nearly constant. And it's a small thing it took me a while to put my finger on, but it's why the show with the inconsistent writing and the rubber suit aliens works for me so much.
I am, at the end of the day, maybe the worst person to ask this question to, simply because I don't ever become engaged with stories I can't, in some way, see as being about me. I don't know if that's mental illness or being an only child, just being vain or ultimately a failure of imagination or what, but it's how I am.
Covert Affairs worked very hard at the beginning to feel a certain way, that for me, felt like a show that could never be about me. White Collar whose lesbian character's lesbianism is pretty much never a plot point, doesn't feel that way. Not just because of the lesbian, but because things happen other than the gender expectations of several decades ago. (which is to say, yes, the first two episodes of Covert Affairs, which ultimately redeemed itself in some ways, were that bad).
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Date: 2010-09-23 06:23 pm (UTC)Interesting. I think I know the kind of weird pride you're talking about from many other places in television and film (and likely the only reason I don't know it from Covert Affairs is that I'm not watching it), and if so, it's that emotional tone that makes a great deal of what our culture produces as "entertainment" unwatchable for me. But I see it around so many kinds of issues that I find it permeates entire shows; it's not that I'm comfortable with them outside of the smugness about gender presentation, but rather that the smugness is everywhere and drives me from the audience before the characters have even met their eventual romantic interests.
But as I said, I think I'm perceiving the same ickiness you're perceiving, even if we don't react to it in the same ways. And I do understand why a person would want to see that fixed on aesthetic grounds.
Beyond that, though -- well, I think you may have hit the core of the issue when you say I don't ever become engaged with stories I can't, in some way, see as being about me. Far from blaming it on some quirkiness of yours, I'm inclined to think that you're in the majority. At least, a great many people seem to talk about having characters to identify with, and role modeling, and being able to see themselves in stories, and erasure when they don't; and when those conversations happen other people seem to understand what they're saying. You don't find a lot of us saying, "Okay, but why do you even care?"
Which leads me to think that I'm the weirdo here. Not you.
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Date: 2010-09-23 07:14 pm (UTC)no subject
Date: 2010-09-23 07:41 pm (UTC)The only time I've ever felt this was reading Harry Potter and the characters all start pairing off--I was thinking, "Why are there no gay people at Hogwarts?" But I think I only thought that because I was getting fed up with the relationship drama/plots, so I started thinking about them, if that makes any sense.
However, the actual point of this comment was to wonder whether this wishing is done subconsciously and we perhaps only notice it when it's fulfilled. In a real life example, it really does matter to me that Owen Hargreaves plays for England, for if he is English enough, so am I. But it took me ages to realise that that's why I cared about his career. I had no idea I was secretly waiting around for someone born and raised overseas to play for England.
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Date: 2010-09-23 09:08 pm (UTC)no subject
Date: 2010-09-23 09:43 pm (UTC)no subject
Date: 2010-09-23 10:31 pm (UTC)no subject
Date: 2010-09-23 10:43 pm (UTC)Could be.
But I think it has a lot to do with what interests us about stories. And if I were going to analyze the characters that I find most interesting that I've found or made up, they either have aspects of myself that I like a lot but don't let out much, or are things that I would hate to become, but could possibly. So not like me, but what I wish I was or what I fear to become. Characters that I think are actually like me don't interest me as much. I don't know if this is me not finding myself interesting (from a fictional standpoint or in general) or if it's more that I'm too familiar and I like to have my fiction be about things that are different. If I'm not interested in stories about me, I'm not going to be sad when I can't find them.
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Date: 2010-09-24 01:54 am (UTC)no subject
Date: 2010-09-24 02:58 am (UTC)no subject
Date: 2010-09-24 12:55 pm (UTC)Also was wondering a little about why re: Covert Affairs - explanation to
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Date: 2010-09-24 09:27 pm (UTC)(I know I'm irked by "ZOMG, the killer is TRANS!" storylines, but that's another thing.)
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Date: 2010-09-24 09:41 pm (UTC)I just choked on my tea. OMG.
Also, I'm a day behind on the entire world, but the Colbert testimony thing could be amazing.
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Date: 2010-09-24 09:42 pm (UTC)Re: The St. Davids -- I know! I'm still laughing my ass off. I mean, I've read at least 20 fics set there -- FPF and RPF both.
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Date: 2010-09-24 09:58 pm (UTC)Congressional testimony isn't intended to be entertainment, but political theatre is hardly new, and what he's saying is more cogent than a lot of what we're hearing out of the House about this.
Plus, his colonoscopy lives forever.
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Date: 2010-09-24 10:25 pm (UTC)I'm irked by those "ZOMG, the killer is TRANS!" storylines too, but as you say, that's another thing. The political and societal reasons to not want to see trans people (or members of any marginalized groups) continually misrepresented as OMG Evil cartoons are clear and compelling. But for me at least, those reasons aren't related in any way to a desire or need for some kind of representation of self in entertainment products.
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Date: 2010-09-24 10:34 pm (UTC)But we would buy it because we wanted to read yaoi, there wasn't very much of it, and everything that was coming out was crap. But then more yaoi started coming out, and some of it was good. Like, actually good, with good writing and interesting characters who acted more like people. And we now only buy bad yaoi when it's hilariously bad. (Though it did take a while to get out of the habit of buying everything just because it existed. ::g::) There is still a lot of bad yaoi, and actually most of it is still not very good. But at least we can be more selective now.
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Date: 2010-09-25 10:12 pm (UTC)Maybe the shortest version is that I don't need extra practice with perspectives that are not my own. That's pretty much the definition of not being in the majority. I need practice seeing my own as normal - the bits of "my own" that are not personal. I know that the particular grouping of quirks that make up "me" are possibly unique, and I'd be shocked to see it presented as a whole. But when the most visible element of who I am is erased, I feel erased, too.