"... cinemas as illusion, and the construction of imaginary worlds into which one could escape without being incarcerated."Um, is that generally a concern with imaginary worlds? Also, could an Aussie tell me if incarceration implies prison or mental-health related hospitalization more in your English? Is this the author's version of referencing Snape's Wives?
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Date: 2010-09-23 06:23 pm (UTC)Interesting. I think I know the kind of weird pride you're talking about from many other places in television and film (and likely the only reason I don't know it from Covert Affairs is that I'm not watching it), and if so, it's that emotional tone that makes a great deal of what our culture produces as "entertainment" unwatchable for me. But I see it around so many kinds of issues that I find it permeates entire shows; it's not that I'm comfortable with them outside of the smugness about gender presentation, but rather that the smugness is everywhere and drives me from the audience before the characters have even met their eventual romantic interests.
But as I said, I think I'm perceiving the same ickiness you're perceiving, even if we don't react to it in the same ways. And I do understand why a person would want to see that fixed on aesthetic grounds.
Beyond that, though -- well, I think you may have hit the core of the issue when you say I don't ever become engaged with stories I can't, in some way, see as being about me. Far from blaming it on some quirkiness of yours, I'm inclined to think that you're in the majority. At least, a great many people seem to talk about having characters to identify with, and role modeling, and being able to see themselves in stories, and erasure when they don't; and when those conversations happen other people seem to understand what they're saying. You don't find a lot of us saying, "Okay, but why do you even care?"
Which leads me to think that I'm the weirdo here. Not you.