Lipsynch review
Oct. 12th, 2009 11:12 amThis is a play review. The play is about, among other things, rape and prostitution. This review may not be a reading experience everyone wants to have (both for my furious incoherence and the fact that at least one scene description herein is triggery as hell). You've been warned.
Yesterday, Patty and I went to see Lipsynch at BAM. This was essentially 10 hours of theater presented on a single day and while it was one of the most technically perfect things I've ever seen (smart, fascinating sets, amazing performances and really tight structure using a format (separate stories come together) that usually doesn't work well), it was also one of the most offensive.
If you pause now, to look up some reviews of this thing, you'll see lots of people calling it "a play about exploitation that isn't exploitative" (Patty found that one last night), but we were both pretty appalled by it, and ultimately, I thought it was more a product of (and a capitulation to) rape culture than anything about fighting or exposing the same.
( a long fucking plot summary that begins to highlight some of the problems and may or may not make any of this post make sense )
Okay, that leaves a lot out, but that should be enough for the following rant to make sense (and you know I'm pissed when I number my points):
( rape, rape, rape, prostitutes, rape, a woman's only function is to mother, but it's the men who need our sympathy! )
I'm really not doing this justice, but holy shit, the offensive messages of this clusterfuck included the idea that only "mentally ill people can be artists," (also that "all mentally ill people are artists") and that we should feel sympathy and compassion for men in privileged positions (doctors, executives) when the women that are subordinate to them rebuff their advances. The play lied repeatedly about the realities of sex work and glamorized and eroticized it even at its most brutal levels. It repeatedly informed us that male pain was more important than female pain, that women were designed to endure and sacrifice and that when rape happens to men it's more important than rape that happens to women.
And then, at the end, instead of saying "wow, the whole planet is fucked up no matter who you are" or saying "ugh, this is horrible how we treat people and the double standards" it told us this was all a beautiful noble thing and we must love women for their great sacrifices on the altar of ... something.
I have never so wanted to punch a play in the face.
Yesterday, Patty and I went to see Lipsynch at BAM. This was essentially 10 hours of theater presented on a single day and while it was one of the most technically perfect things I've ever seen (smart, fascinating sets, amazing performances and really tight structure using a format (separate stories come together) that usually doesn't work well), it was also one of the most offensive.
If you pause now, to look up some reviews of this thing, you'll see lots of people calling it "a play about exploitation that isn't exploitative" (Patty found that one last night), but we were both pretty appalled by it, and ultimately, I thought it was more a product of (and a capitulation to) rape culture than anything about fighting or exposing the same.
( a long fucking plot summary that begins to highlight some of the problems and may or may not make any of this post make sense )
Okay, that leaves a lot out, but that should be enough for the following rant to make sense (and you know I'm pissed when I number my points):
( rape, rape, rape, prostitutes, rape, a woman's only function is to mother, but it's the men who need our sympathy! )
I'm really not doing this justice, but holy shit, the offensive messages of this clusterfuck included the idea that only "mentally ill people can be artists," (also that "all mentally ill people are artists") and that we should feel sympathy and compassion for men in privileged positions (doctors, executives) when the women that are subordinate to them rebuff their advances. The play lied repeatedly about the realities of sex work and glamorized and eroticized it even at its most brutal levels. It repeatedly informed us that male pain was more important than female pain, that women were designed to endure and sacrifice and that when rape happens to men it's more important than rape that happens to women.
And then, at the end, instead of saying "wow, the whole planet is fucked up no matter who you are" or saying "ugh, this is horrible how we treat people and the double standards" it told us this was all a beautiful noble thing and we must love women for their great sacrifices on the altar of ... something.
I have never so wanted to punch a play in the face.