[personal profile] rm
I have two auditions tomorrow requiring a classical monologue. I usually use a Lady Anne thing from Richard III, because I think it suits me massively, and casting folks have said as much in a "that's really interesting, but I don't know what to do with you" way. I get good feedback on it, but it's never gotten me anywhere.

That said, I'm having an impulse to use something from the Macbeth stuff I did at NIDA. Something in the back of my head is telling me that it's the sort of thing people don't want to see (overdone? Macbeth superstitions?), but I also know I had serious professional coaching on it, and it's the thing that made people take me really seriously at NIDA, so part of me thinks I can just nail the thing to the wall if I do it. Of course, I also worry because my interpretation of Lady Macbeth is a bit outside of the typical bounds (good? bad?) mainly in that she's _young_ which is accurate to the period, but not to what we've done to the play in modern times.

Um... thoughts?

Date: 2005-04-22 04:14 pm (UTC)
From: [identity profile] rm.livejournal.com
If this wasn't _tomorrow_ I would learn something new. I'm glad there's Marlowe in the house though... i've been thinking that where I need to pick up something new from for a while now.

Date: 2005-04-22 04:15 pm (UTC)
From: [identity profile] ladypeculiar.livejournal.com
Ahhhhhhhhh. Then yeah, do Macbeth. It's fresher and more immediate for you as a piece.

Date: 2005-04-22 04:17 pm (UTC)
From: [identity profile] ladypeculiar.livejournal.com
As an aside though you neeeeed to read Pheadra if you haven't. It's one of my favoritest plays ever in the whole wide world and will push your buttons all to hell. I haven't thought of it in a while.

Date: 2005-04-22 04:17 pm (UTC)
From: [identity profile] rm.livejournal.com
I haven't, oddly. And yes, I should and shall.

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