That said, I'm still beating my head against the thing, because I think the pairing and the story make sense and that it should be possible to tell a good story that isn't faily. So, if you're tuned in to Covert Affairs, and particularly if you're viewing it from a living with disabilities perspective, and have a comment about what they are doing right or wrong with Auggie (aside from the actor not actually being blind, since that's a perfectly reasonable topic for conversation, but one that won't help me solve this story) that you'd like to share, I am so all ears. Aaaaaaaaaaaaargh.
That said, I'm still beating my head against the thing, because I think the pairing and the story make sense and that it should be possible to tell a good story that isn't faily. So, if you're tuned in to Covert Affairs, and particularly if you're viewing it from a living with disabilities perspective, and have a comment about what they are doing right or wrong with Auggie (aside from the actor not actually being blind, since that's a perfectly reasonable topic for conversation, but one that won't help me solve this story) that you'd like to share, I am so all ears. Aaaaaaaaaaaaargh.
thank you for the very interesting reply!
Date: 2010-08-12 08:07 pm (UTC)I'm deducing from this statement that "Doylist" means something to do with AC Doyle and authorial perspective, but just to let you know, it's an unfamiliar term to me. :)
the "nice bottom" scene in TEC (in which Jack and other air force personnel stand outlined against a lighted room on an un-blacked out balcony in the middle of an air raid) and the street door scenes where light spills out from the dancehall onto the street consistently through CJH before and after an airraid)
YES!! I'm SO glad someone else noticed this.. :D A relatively minor quibble, but one that's bothered me consistently. TEC is worse to me, because the space appears to be SO open and SO lit up, and it looks like half the city is lit up in the shots with Rose. But that may be my little TV rendering bombs/fires badly.
Which I suppose adds up to; there's no particular reason for it to be friendly fire (especially since that would have deprived the Allies of a valuable plane at a time when these were like gold dust) and it's somewhat projecting a 21st century mindset onto a mid 20th century situation to read it in those terms.
I freely admit that, while an amateur historian, neither the military nor the 1940's are in my particular areas of extensive research (I'm a Victorianist by hobby.) :D Your point about the absolute value of a plane (and, I suppose, a good soldier) is well taken, and one I should have thought of.
I'm probably projecting an American, rather than a 21st-century, viewpoint onto the whole thing, since Britain has always been at least *somewhat* more socially tolerant (or at least more willing to look the other way) than America, even if the laws on the books were stricter. Given the whole public-school/unspoken-schoolboy-'pash' dynamic that novelists like Forster & Waugh openly depict around WWI, I'm not surprised at all that that unspoken tolerance carries through 25 years later.
That said, I think I'm correct in stating that there is also an un-nuanced undercurrent of hostility in the episode, reflected in a few characters: George (Harkness's lieutenant?), who goes after Tosh, but also openly displays disdain for 'James Harper' and eventually for the real Jack Harkness; TRJH's girlfriend, whose name I have forgotten, but who is both uncertain about and hostile towards 'James', until he pushes Jack at her; and to a lesser extent, the couple who finally interrupt 'James' and Jack, requesting access to 'lovers' corner'. Given that there's already been one violent episode earlier in the evening, it's not unreasonable to think that, had James made it back to base, there might be repercussions from the same violent underling, next time with buddies.
Whether this is dramatic narrative or historical accuracy, as you have pointed out, is definitely problematized; I'm cheerfully willing to admit that my projection is based on thinking like a screenwriter rather than a historian, and I'm now curious to research it from the historian's perspective. :D
Re: thank you for the very interesting reply!
Date: 2010-08-14 02:50 pm (UTC)Some really bitter disputes in fandom can actually be seen as one group taking an (unspoken) Doylist position against another group holding an (unspoken) Watsonian view.
While I can see that there might well have been repercussions had Harkness got back to base, the situation is extremely complicated; first, of course, the US are not officially at war and he's a volunteer with the RAF, which really would give his C/O a headache on the official side. Unofficially, who knows? But then I didn't think the violent incident on the dance floor was that realistic either.