There's the end -- where we have this gorgeous team, chilling out, awkwardly, in their fearless leader (to whom they can't quite connect) pad overlooking the city. There's Spike and his struggle against hell (is something moving in the dark, Blondiebear? That's what I want to know). There's the discussion of Angel and his ability to have relationships. There's the mistrust of Gunn and his enhancements (don't use alien artifacts for your own amusement, kids). There's Wesley inability to say anything without sounding slightly smarmy (is that intentional in the performance or just an awkward side-effect of my having seen Torchwood first and the way Denisof sort of smirks his way through every line?) There's the way Angel's like "fine, eat the other guy, I don't give a shit."
All the brutality and love hung on a sort of pointless frame that I think of as so emblematic of the first two seasons of Torchwood is all so right here.
no subject
Date: 2010-09-15 03:56 am (UTC)The other reason I dislike Ferett's argument is that the tone of it-- not the argument, but a lot of the tone-- is coming off to me as "But I can't be arsed to keep my mental database of who's who accurate!". And first off, cry me a river, and second off-- if you can't be arsed to, why do I care that you don't know who I am?
(Oh, and the third is, I dislike immensely being told who I can be. I will be myself and all my compromises will be my own.)