sundries

[rm]

Hey, when I say don't be assholes the correct response is not ignoring people's boundaries and/or making DIAF remarks. I am not happy.

Fuck Yeah, Skeksis!

I find the idea of "Things That Are Not Like Guns" weirdly hilarious. Last night Patty and I had a long discussion about to what degree sharks are, or are not, like guns. Sharks are, for the record, not like guns.

HPOA girl likely fake. Some iteration of just that thing shows up every couple of years, and the story is always too perfect -- pretty chick (you side with her), industry people love to hate (Wall Street now, Internet start-ups then), with lots of expected sexism (it could be an after-school special!), culminating with an attack on some Internet phenomenon that annoys the fuck out of a lot of people (Farmville).

The flight attendant story is still real though.

And so is that of the guy who took his bus on a 1,300 mile detour.

Interesting story about the legality of 66 marriage licenses issues to same sex couples in New Mexico in 2004. They stand.

Mexico City same-sex marriages must be recognized as legal throughout Mexico.

And Costa Rica has ruled against a referendum that would take a vote on recognizing same-sex unions. The courts says such a vote would put LGBT at a disadvantage.

Is that your baby? About being mistake for the nanny in multi-racial families.

Patty sent this to me yesterday as "Horrifying Inception Find." There's really little more I can add, but I'll warn you it's a screen-shot of a Craigslist casual encounters ad, the language is NSFW, and it's in the category of dirty, dirty cosplay sex. I share because I care.

Rules for hats flumox hipsters: I don't care if your fedora cost $80, when you're inside, you take it off.

I hate this fucking Jack/Auggie fic. Okay, I've finally got Auggie's voice, and I know where it's going and what is already ridiculously wrong with the whole thing and faily and needs to be fixed. But increasingly, I feel like I can't write this fic without making a mess. Every online conversation I see about Auggie on blogs related to disabiity issues has about six different sides. Which is to say, I don't think it's possible to produce this story without being really offensive to multiple someones.

That said, I'm still beating my head against the thing, because I think the pairing and the story make sense and that it should be possible to tell a good story that isn't faily. So, if you're tuned in to Covert Affairs, and particularly if you're viewing it from a living with disabilities perspective, and have a comment about what they are doing right or wrong with Auggie (aside from the actor not actually being blind, since that's a perfectly reasonable topic for conversation, but one that won't help me solve this story) that you'd like to share, I am so all ears. Aaaaaaaaaaaaargh.

Speaking of Covert Affairs -- how great was this week's episode? Jai suddenly gets interesting and isn't just the bad guy. I don't hate the idea of a possible Jai, Auggie, Annie love triangle (oh god, someone write me that threesome). The gossipy relationship premise of the show is feeling more organic even if it's still too straight for my taste. The women kick ass. And pretty much everything is awesome except for the whole thng with Annie's former beau that I just don't care about at all.

Which brings us to White Collar -- now that was an episode. And Peter is just so effortlessly the boss of Neal, it's kinda hilarious. And I loved the high-class repoman chick. And Neal's look of being nauseated in the face of handling a gun, and pretty much the whole thing which felt like a very New York episode. Much love. I still don't care about Kate though, even if the part of the story about the FAA tapes was actually well done.

Comments

[ophymirage.livejournal.com]

I am looking at that now, and crying. in a metaphorical way, since I'm at work.

[rm.livejournal.com]

Seen it. Was vastly amused. Have high hopes for S4 that I occassionally crow about here.

[ophymirage.livejournal.com]

Still holding back. I want to have high hopes. I want to believe that his new story will be awesome. CoE broke my heart (eventually in the emotional-wrench good-story way, though that took a while of processing.)

But post first-viewing, I can't help analyzing CoE, Season 2 finale, etc., to figure out what's most effective, and I end up finding massive character inconsistencies and plot holes I could drive Rhy's lorry-fleet through, in favor of causing Jack more angst. (Also, I think half the time he makes Jack look like an unthinking idiot. Which he is maybe a quarter of the time, but not half.)

I want Torchwood to continue to be awesome, and I'm worried that American cable will cause RTD to head more in the slick, badly-plotted, CSI/Miami-Vice sort of popcorn+special effects direction, where I'd prefer to see something on the level of "Mad Men" or "The Wire". (Not in terms of theme, but in terms of OMGTHESTORY.)

ETA to add/clarify: that interview is not necessarily helping my faith that he is producing something on the level of Mad Men awesome. He's just doing a lot of "it's awesome, we're not telling you anything." Finished article, have slightly more hope. Putting faith in Jane Espenson, who wrote some of the best Buffy eps of all seasons, as well as Julie Gardner...

[eandh99.livejournal.com]

If he leaves Jane Espenson alone to write, instead of giving her work a final rewrite himself, as he did to all the DW scripts except Moffat's, maybe. At this point it's clear to me that my ideas of humour and drama, and even coherent plot, do not coincide with his.